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Miyazaki's Spirited away (Sen to chihiro no kamikakushi)

Threat advisory: High - High risk of entertaining activities

Movie propaganda

For young Chihiro (Rumi Hiiragi) and her parents (Takashi Naitô and Yasuko Sawaguchi), a mysterious tunnel and haunted town lead to the land of spirits, inhabited by gods and monsters and ruled by the greedy witch Yubaba (Mari Natsuki). Chihiro's parents are transformed into pigs; to rescue them, she must surrender her name and serve in this world. Luckily she finds friends and allies, including the handsome but mysterious boy Haku (Miyu Irino). Initially sulky and listless, Chihiro (or Sen, as she's now called) finds inner strengths and establishes an identity in this strange world. But can she win back her name and return home?

Theatrical propaganda posters

Spirited away image

Target demographic movie keyword propaganda

  • Film anime animation Japan adventure child monster witch pig dragon

Persons of interest

  • Japanese language version:
    • Rumi Hiiragi .... Chihiro
    • Miyu Irino .... Haku
    • Mari Natsuki .... Yubaba
    • Takashi Naitô
    • Yasuko Sawaguchi
    • Tatsuya Gashuin .... Aogaeru
    • Ryunosuke Kamiki .... Bo
    • Yumi Tamai .... Rin
    • Yo Oizumi .... Bandai-Gaeru
    • Koba Hayashi .... Kawa No Kami
    • Tsunehiko Kamijô .... Chichiyaku
    • Takehiko Ono .... Aniyaku
    • Bunta Sugawara .... Kamajii
  • English language version:
    • Daveigh Chase .... Chihiro
    • Lauren Holly .... Chihiro's mother
    • Michael Chiklis .... Chihiro's father
    • Suzanne Pleshette .... Yubaba, Zeniba
    • Susan Egan .... Lin
    • Jason Marsden .... Haku
    • John Ratzenberger .... Assistant Manager
    • David Ogden Stiers .... Kamaji
    • Tara Strong .... Bo
  • Hayao Miyazaki .... Screenwriter
  • Hayao Miyazaki .... Director

Cinematic intelligence sources

Intelligence analyst

Special Agent Matti

Theatrical report

I saw a really nice film. Spirited away is a delightful folk tale of monsters, witches and strange creatures. It's kind of like Little red riding hood meets Hansel and Gretel but with a modern red riding hood and a capitalist witch. As Hayao Miyazaki says, it's a film for 10-year-olds, especially if they're girls.

The animation is awesome, the design is wild, the adventure is just right and even the American voices couldn't detract from the quality of the film. See it, enjoy it.

Security censorship classification

PG (Supernatural themes)

Surveillance time

124 minutes (2:04 hours)

Not for public release in Australia before date

Film: 12 December 2002

Cinema surveillance images

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Director's statement
"This film is an adventure story, although the characters neither swing weapons around, nor use supernatural powers in battle. It is an adventure story, but its theme is not a confrontation between good and evil. It will be a story of a girl who was thrown into a world where both good and evil exist. She gets trained, learns about friendship and devotion, and survives by using her wisdom. She finds her way out, dodges, and comes back to her old daily life for the time being. However, it is not because evil was destroyed - just as the world does not disappear, evil does not disappear. It is because she gained the power to live. Today, the world has become ambiguous; but even though it is ambiguous, the world is encroaching and trying to consume everything. It is the main theme of this film to describe such a world clearly in the form of a fantasy.

"Being enclosed, protected, and kept away from danger, children cannot help but enlarge their fragile egos in their daily lives where they feel their lives as something dim. Chihiro's skinny limbs and sullen face, which indicate she would not be amused so easily, are a symbol of that. Still, when reality becomes clear and she finds herself in a crisis, her adaptability and endurance will well up within her. She would find an existence in which she can bravely decide and act within herself.

"Certainly, many people might simply panic and sink down to the ground. But such people would vanish or quickly be eaten in the situation Chihiro faced. Chihiro is a heroine, because of her power not to let herself be eaten up. She is a heroine, but not because she is beautiful or because she has a matchless heart. This is the merit of this film, and this is why it is a film for 10-year-old girls.

"A word has power. In the world into which Chihiro has wandered, to say a word out of one's mouth has a grave importance. At Yuya, which is ruled by Yubaba, if Chihiro says one word like "No" or "I wanna go home", the witch would quickly throw Chihiro out. She would have no choice but to keep aimlessly wandering until she vanishes or is changed into a chicken to keep laying eggs until she is eaten. In turn, if Chihiro says "I will work here", even the witch cannot ignore her. Today, words are considered very lightly, as something like bubbles. It is just a reflection of reality being empty. It is still true that a word has power. It's just that the world is filled with empty and powerless words.

"The act of depriving a person of one's name is not just changing how one person calls the other. It is a way to rule the other person completely. Sen becomes horrified when she realises that she is losing the memory of her name, Chihiro. And every time she visits her parents at the pigsty, she becomes more accustomed to her parents as pigs. In the world of Yubaba, you should always live in the danger of being eaten up.

"In this difficult world, Chihiro becomes lively. The sullen, listless character would have a surprisingly attractive expression in the end of the film. The essence of the world has not changed a bit. This film will persuade one of the fact that a word is one's will, oneself, and one's power.

"It is also the reason why we make a fantasy that takes place in Japan. Even though it is a fairy tale, I do not want make it a Western one in which we can find many ways out. This film will probably be looked at as one of those run-of-the-mill other-world stories. But I'd like you to consider is as a direct descendant of Suzume no Oyado and Nezumi no Goten in the Japanese folk tales. Although they did not use such a phrase as "parallel world" our ancestors have blundered at Sparrows' House or enjoyed a party at The Palace of Mice.

"The reason why I made the world of Yubaba pseudo-Western is because it is a world filled with Japanese traditional designs, as well as to make it ambiguous whether it is a dream or reality. We just don't know how rich and unique our folk world - from stories, folklore, events, designs, gods to magic - is. Certainly, Kachikachi Yama and Momotaro have lost their power of persuasion. But it is poor imagination to put all the traditional things into a snug folk-like world. Children are losing their roots, being surrounded by high technology and cheap industrial goods. We have to tell them how rich a tradition we have.

"By combining traditional designs with a modern story, and putting them in as pieces of colourful mosaic, I think the world in the film will have a fresh persuasion. At the same time, we must recognise again that we are inhabitants of this island country.

"In an era of no borders, people who do not have a place to stand will be treated unseriously. A place is the past and history. A person with no history, a people who have forgotten their past, will vanish like snow, or be turned into chickens to keep laying eggs until they are eaten.

"I would like to make it a film in which 10-year-old girls can find their true wishes."

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