A hero should never have to stand alone.
Rules of engagement: directives issued by competent military authority which delineate the circumstances and limitations under which United States forces will initiate and/or continue combat engagement with other forces encountered. - Department of Defense dictionary of military and associated termsColonel Terry Childers (Samuel L Jackson) is a 30-year Marine veteran: a decorated officer with combat experience in Vietnam, Beirut and Desert Storm - a patriot, a hero. But now, the country he served so well has put him on trial for a rescue mission that went terribly wrong. For his attorney, he has chosen Marine Colonel Hays Hodges (Tommy Lee Jones), a comrade-in-arms who owes his life to Childers. Hodges is not the best lawyer in the service, but Childers trusts him as a brother Marine who knows what it's like to risk death under fire. Bound by duty and friendship, Hodges reluctantly takes the case, even as he begins to doubt the man who saved his life in Vietnam three decades ago.
Special Agent Matti
Rules of engagement is nothing new, but it's done well enough that you can believe it might be. You know: good soldier does his duty and gets done-in by the higher-ups looking to save their skins, and remember, there's nothing as dangerous as an innocent man. Especially in the US of A.
So what's worth seeing in Rules of engagement? There's some fun shooting at American soldiers (that's always good for a laugh) and there's some good courtroom stuff (that's always good for a bit of tension). Samuel L Jackson and Tommy Lee Jones do their entertainment thing (you don't really expect me to use the term "act" do you?). Guy Pearce has a standard-issue Marine staff up his butt but does it with the strangest mish-mash of a Southern accent I have ever heard.
Ummm... that pretty much takes care of things. Watch it now, watch it on video, wait for the TV broadcast, it doesn't really matter, you'll enjoy it the same whichever you choose.
Complaint: At the end of the film short sentences are flashed on the screen telling you what happened to the various characters. It looks tacked-on, as if the test audience (of Americans, remember) wasn't happy without a sense of complete closure. It also serves to make the film look more fictitious than if they'd left them off. The insatiable American appetite for happy endings is very, very annoying. It's as if they're trying to compensate for the lack of closure (and happiness) in life. They need to realise that life sux and no-one ever knows what really happened. That's why God invented Royal Commissions.
MA 15+ (Medium level violence, medium level coarse language)
122 minutes (2:02 hours)
DVD retail: 8 August 2001








