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Monster - Charlize Theron, Christina Ricci, Patty Jenkins, Aileen "Lee" Wuaronos
Threat advisory: Severe - Severe risk of entertaining activities
Movie propaganda
In a revelatory performance, Charlize Theron stars in the shocking and moving true-life story of Aileen Wuaronos, a prostitute executed last year in Florida after being convicted of murdering six men. While Wuaronos confessed to the six murders, including a policeman, she claimed to have killed only in self-defence, resisting violent assaults while working as a prostitute.
Bravely burrowing beneath the tabloid headlines about America's first female serial killer - and the media's sordid designation of Wuaronos as an unrepentant monster - in the midst of the horrors and pathologies, first-time writer-director Patty Jenkins unearths an unlikely love story between two misfits.
Nearing suicidal despair, Wuaronos wanders into a Florida bar, where she meets Selby Wall (Christina Ricci), a young woman sent by her parents to live with an aunt in order to "cure her homosexuality". Wuaronos - victim of a tragic, abusive upbringing - quickly falls in love, and clings to Selby like a life preserver. Unable to find a legitimate job but desperate to sustain her relationship with Selby, Wuaronos continues working as a prostitute. When one of her johns turns violent, Wuaronos shoots the man in self-defence; the first in her tragic string of killings.
Shot in many of the actual locations where Wuaronos committed her crimes between 1989-90, in its grittiness, verisimilitude, and hard-won empathy for its anti-hero, Monster is reminiscent of the great, iconoclastic American films of the 60s and 70s. Co-starring Bruce Dern, Monster succeeds as searing social commentary, road movie, and, most profoundly, as love story. Theron's ferocious, fully-committed work - astounding physical transformation matched by unerring psychological acuity - is sure to surprise audiences familiar with her work, and in writer-director Jenkins, Monster heralds a major new filmmaking talent.
Theatrical propaganda posters

Target demographic movie keyword propaganda
- Film drama biography murder prostitute lesbian Aileen Wuaronos execution
Persons of interest
- Charlize Theron .... Aileen "Lee" Wuaronos
- Christina Ricci .... Selby
- Bruce Dern .... Thomas
- Lee Tergesen .... Vincent Corey
- Annie Corley .... Donna
- Pruitt Taylor Vince .... Gene
- Marco St John .... Evan
- Marc Macaulay .... Will
- Scott Wilson .... Horton
- Tim Ware .... Chuck
- Brett Rice .... Charles
- Kaitlin Riley .... Teenage Aileen
- Cree Ivey .... 7-year-old Aileen
- Patty Jenkins .... Screenwriter
- Patty Jenkins .... Director
Cinematic intelligence sources
- Monster official movie site
- Monster QuickTime movie trailers
- Awards and film festivals:
- Academy of Motion Picture Arts and Sciences (AMPAS - Oscars) 2004: Best Performance by an Actress in a Leading Role (Charlize Theron)
- Berlin International Film Festival 2004: Won: Silver Bear Best Actress (Charlize Theron); Nominated: Golden Bear (Patty Jenkins)
- British Academy of Film and Television Arts (BAFTA) 2004: Nominated: Best Actress (Charlize Theron)
- Broadcast Film Critics Association 2004: Won: Best Actress (Charlize Theron)
- Chicago Film Critics Association 2004: Won: Best Actress (Charlize Theron)
- Cinematic Intelligence Agency Trenchcoat Awards 2004: Won: Best non-heterosexual character (Aileen "Lee" Wuaronos - Charlize Theron, Selby - Christina Ricci), Best white trash (Aileen "Lee" Wuaronos - Charlize Theron), Best actor with a uterus (Charlize Theron); Nominated: Best script (Patty Jenkins), Best criminal (Aileen "Lee" Wuaronos - Charlize Theron), Best biography, documentary or true drama
- Dallas-Forth Worth Film Critics Association Awards 2004: Won: Best Actress (Charlize Theron)
- Edgar Allan Poe Awards 2004: Nominated: Edgar Best Motion Picture Screenplay (Patty Jenkins)
- Golden Globes, USA 2004: Won: Best Performance by an Actress in a Motion Picture - Drama (Charlize Theron)
- International Press Academy Satellite Awards 2004: Won: Best Performance by an Actress in a Motion Picture, Drama (Charlize Theron)
- Independent Spirit Awards 2004: Nominated: Best Female Lead (Charlize Theron), Best First Feature (Patty Jenkins, Mark Damon, Donald Kushner, Clark Peterson, Brad Wyman), Best First Screenplay (Patty Jenkins)
- Las Vegas Film Critics Society 2004: Won: Sierra Award Best Actress (Charlize Theron)
- National Board of Review of Motion Pictures, USA 2003: Won: Best Breakthrough Performance by an Actress (Charlize Theron)
- MTV Movie Awards 2004: Nominated: Best female performance (Charlize Theron), best kiss (Charlize Theron and Christina Ricci)
- National Society of Film Critics, USA 2004: Won: Best Actress (Charlize Theron)
- Online Film Critics Society 2004: Nominated: Best Actress (Charlize Theron)
- San Francisco Film Critics Circle 2003: Won: Best Actress (Charlize Theron)
- Screen Actors Guild, USA 2004: Won: Outstanding Performance by a Female Actor in a Leading Role (Charlize Theron)
- Vancouver Film Critics Circle 2004: Won: Best Actress (Charlize Theron)
- Studios and distributors:
Intelligence analyst
Special Agent Matti
Theatrical report
Oh boy, Monster is creepy, moreso because it's based on a true story. Charlize Theron's portrayal of Aileen Wuaronos is so matter of fact - so natural - that it's like a fly-on-the-wall documentary. The make-up job is outstanding: Charlize looks like a hard-bitten white trash she-bull escapee from the trailer park. Of course, I could be wrong. Charlize may have beefed up for the part and acted her pants off. Whoever the kudos goes to, it deserves to go there.
Christina Ricci's closeted dyke is a great supporting role that plays off the lead really well. Selby and Aileen are so strongly positioned that their similarity of gender becomes irrelevant. That they are lesbians is just a bonus for lesbophiles. [Nice neologism - Director of Intelligence.]
In the end, it is the unrelenting tide of history that drives Monster to its horrendous end. For some people the light at the end of the tunnel is a train. Watch this film and be weirded out to the max.
Security censorship classification
MA 15+ (Adult themes, medium level violence, sexual references)
Surveillance time
109 minutes (1:49 hours)
Not for public release in Australia before date
Film: 25 March 2004
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