Cinematic Intelligence Agency
| Box office | Cinemas | Contact us | DVD and VHS | Film | Filmmaking | Home | Notices | Search | Star trek |

Cinema surveillance images are loading at the bottom of the page

Manderlay - Bryce Dallas Howard, Isaach De Bankolé, Willem Dafoe, Lars von Trier

Threat advisory: Under evaluation

Movie propaganda

The second in his trilogy, Manderlay is shot in the same distinctive style as Dogville. Painted lines replace conventional sets; chapter titles provide even more irony and distanciation. But whereas Dogville took xenophobia as its subject, Manderlay offers a withering and disturbing look at race relations, liberalism and nation building (specifically the type of venture currently underway in Iraq), and may prove even more controversial and shocking than its notorious predecessor.

Set in 1933, Manderlay continues the story immediately after Grace (Bryce Dallas Howard) and her father (Willem Dafoe) leave Dogville. Wandering through Alabama, they discover a gated community where the mostly black inhabitants still live under the tenets of slavery. Grace cannot help but intercede when she witnesses a slave (Isaach de Bankolé) being brutally whipped by a white master. The fearsome plantation owner and matriarch, Mam (Lauren Bacall), dies soon after. Grace presumes her death to be a blessing, but it terrifies the downtrodden inhabitants who've never known life without her or "Mam's Law", the plantation's social bible.

Theatrical propaganda posters

ManderlayManderlay

Target demographic movie keyword propaganda

Persons of interest

Cinematic intelligence sources

Intelligence analyst

Special Agent Matti

Theatrical report

*

Security censorship classification

MA 15+ (Strong sex scene, mature themes)

Surveillance time

135 minutes (2:15 hours)

Not for public release in Australia before date

Film: 30 November 2006

Cinema surveillance images

ManderlayManderlayManderlayManderlayManderlayManderlayManderlayManderlayManderlayManderlay

[ Return to top ]